I started going about building the science fiction future for my Terra Ignota series, not by trying to predict things that will happen, but by looking for things that have already been changing in the last two centuries, and will with certainty be different in some way in the future. This is a different way of thinking about plausibility, one that comes naturally to me because I’m trained as a ...Read MoreRead more
Most of the time, authors are used to flying solo. Well before we start thinking about submitting work for publication, we’re scribbling in journals, writing poems mostly for ourselves, coming up with characters and places and plots for short stories and novels which we think are cool—us, not some mythical other reader who floats in the aether, ever out of reach. As we mature as writers we become more aware ...Read MoreRead more
We received more appreciations for the late David Hartwell than we had room to run in our March issue, but would still like to share them with our readers. The following memorials from his friends, admirers, and colleagues are just a small part of the outpouring of appreciations for his life. Further appreciations are welcome in the comments.–Locus
I generally do not write memoriams. My first and ...Read MoreRead more
I suppose I wear my influences on my sleeve — most of them anyway. My most recent novel, the dipsomaniac zombie story The Last Weekend, is a tribute to some of them. Mike Berry at the San Francisco Chronicle nailed it: “it is the shades of Charles Bukowski, Henry Miller, John Fante and other hard-drinking scribblers who haunt the pages.” One boozy author most everyone has missed so far is ...Read MoreRead more
There’s a passage in Shakespeare’s Love’s Labour’s Lost that gave me pause when I first read it:
“For I must tell thee, it will please his grace, by the world, sometime to lean upon my poor shoulder, and with his royal finger, thus, dally with my excrement…”
Thank goodness for the glossary, which defined “excrement” as meaning “that which grows out (such as hair, nails, feathers).”
I bring this up ...Read MoreRead more
I started writing Barsk: The Elephants’ Graveyard late in 1989. I’d been writing short stories for a while, but hadn’t sold any. I’d recently completed my doctorate in cognitive psychology and was teaching at a small, liberal arts college in Sarasota, Florida, and to this day, more than twenty-five years later, I really can’t say what made me decide to write a novel. But I did.
And it was horrible. ...Read MoreRead more
One thing about fantastical fiction that I like is it’s a universal condition — you find examples from all over the world of writers expressing themselves through the fantastical because sometimes there’s no other way to get across a unique idea or perspective. Everywhere, too, this impulse or way of thinking about the world is different — sometimes in subtle ways, sometimes in vastly different ways. So in addition to ...Read MoreRead more
I know Thomas Weatherby and Shaila Jain better than anyone else in the world. I know how they think, what they believe, what scares them and what drives them. I know the worlds they move through better than they do, every shadowy nook and every bit of history.
I know this because I created them, and their world.
Weatherby and Jain are the protagonists of the Daedalus trilogy, my debut ...Read MoreRead more
Ten years ago I began writing a quest fantasy and went on a journey at the same time. Outwardly it was a physical journey, with real signposts: from fluorescent-lit offices in the Empire State Building to a sunlit apartment in Jerusalem, to a wedding, another apartment, and onward. Like many journeys in fiction, ultimately it came full circle, back to the city where it began. As with a fictional character, ...Read MoreRead more
Note: Special thanks to Steve Redwood for his assistance with the translation of this piece.
Between 1985 and 1994 I wrote, more or less, a novel a year. All of them, except Cat’s Whirld and Jormungand, have been lost. Although not completely; somewhere there are typed copies of a few of them, or parts of them; and many of the themes, situations, and incidents of the majority of those novels ...Read MoreRead more
A friend once told me she couldn’t get interested in a book unless it was about people just like herself. She meant 21st-century African American women, but the demographics were not the point. Her comment made me realize I am exactly the opposite: I read books to become something I am not. To capture my attention, a book has to take me to a time or a place or a ...Read MoreRead more
For me, it was all about learning, never about teachers, but I couldn’t stop hoping there was a magical How-To-Book-That-Explains-It-All-To-You. Or a great coach who would love to tell me all about How It’s Done.
P.S., there wasn’t, although there used to be a Famous Writers School claiming that for a down payment and your monthly contribution, they would. I did a story about their correspondence course for the New ...Read MoreRead more
Horror is the unloved hound of literature. It’s hard to find it in bookstores, beyond the names that have been representing the form since the seventies and eighties: King, Rice, Koontz, and Barker. Forget about specifically designated shelves; those days are gone. It’s got a bad reputation. Some of that’s due to the lingering effects of the paperback horror boom of the eighties, which nearly choked the market to death, ...Read MoreRead more
Timothy Zahn saved my life.
The story was called “Unitive Factor,” and Google tells me that it appeared in the May 1982 issue of Analog. To be honest, I can’t remember much about it, but the space horses made a hell of an impression. That’s right, space horses: giant vacuum-dwelling whale-like creatures that could jump instantaneously from one star to another, handy for harnessing to your space craft if you ...Read MoreRead more
There certainly are periods more auspicious for collaboration than others. Perhaps a fledgling writer with a few sales under her/his belt gets the opportunity to collude with an older established author, with a contract already on the table. Or perhaps one writer conspires with another writer of equal worth to tackle an elaborate novel, one requiring, say, a scientific proficiency one of the two can’t fake and the other can ...Read MoreRead more
I was lucky enough to be at Emerald City Comic Con this weekend, and one of the highlights was a panel on diversity, with fellow panelists Jamie Ford, Ramon J. Terrell, Garth Reasby, and Sarah Remy, moderated by Anna Alexander. It wasn’t the only panel on diversity–there were, by my count, four panels that touched on the topic over the course of the three day con.
I wanted to share ...Read MoreRead more
I recently launched a Kickstarter for a one-of-a-kind history-making anthology, Speculations KC for the 2016 Worldcon, a return to Kansas City after 40 years. One of the joys of moving here has been discovering the rich connections to genre history and fandom that the area has. The Midwest may sometimes not be the first place to come to mind when you think about genre, so I thought it might be ...Read MoreRead more
Truth: I’ve been sitting for two hours in front of this blank page, unsure where to start or what to write about. There may have been a few side trips to Facebook and Twitter during that time, but I was wracking my brain trying to come up with a subject as opposed to just talking about my short fiction collection.
Non-fiction doesn’t come easy to me, and every topic I ...Read MoreRead more
I was not a fan of The Book of Life. I will not elaborate too much on this point except to mention that when I watched it I recalled a bit from an article by Sophia McDougall published in The New Statesman:
I remember watching Shrek with my mother.
“The Princess knew kung-fu! That was nice,” I said. And yet I had a vague sense of unease, a sense that ...Read MoreRead more
I often think of writing as a process of entering into a contract with your readers: when you persuade someone to read your work, you’re making promises to them that your work will deliver in certain ways. Certain genres, it seems to me, make specific contractual demands on a writer–for example, I doubt that Hilary Mantel’s The Mirror and the Light is going to end with Henry VIII abdicating and ...Read MoreRead more
Now that I have five completed anthologies under my belt, the number of questions I get–from friends and strangers alike–about various aspects of anthology editing has turned from an occasional drip to a steady trickle. And while I would love to presume it’s because I’m such an awesome anthologist, the truth is, there’s fairly little information on the web regarding this niche topic. I thought it might be a good ...Read MoreRead more
In December 2014 I approached our esteemed panelists with the following:
On his blog Michael Swanwick recently addressed a reader-inspired question: “How do I cope with the despair endemic upon being an unpublished or little-published writer?” In an essay first published in 1991, Robert Silverberg wrote about spending his adult life as a successful professional writer but still facing the “long despair of nothing well.” The word “despair,” and related
Being close to the end of the year, it occurs to me it might be interesting to talk about some of the books we’re most looking forward to in 2015, and why. I will mention three to get the ball rolling. Daryl Gregory’s Harrison Squared (March 24, 2015). I love Daryl’s writing, and this Lovecraftian teen story promises to be dark, comical and poignant all in one. Kit Reed’s Where ...Read MoreRead more
While the print and online versions of this magazine do an excellent job of monitoring and reviewing new SF/F/H texts, and non-fiction books closely tied to SF/F/H, it occurs to me that at times there might be other “associational” books that are worth bringing to the attention of readers. This is one of those items.
First, a book related to Christopher Nolan’s latest movie, Interstellar (2014), reviewed here by Gary ...Read MoreRead more
In late October various fine publications (including this one) reported that a previously unpublished essay by Isaac Asimov had appeared in the MIT Technology Review. In a prefatory note to the essay, Arthur Obermayer describes how he was the one who suggested, back in 1959, that Asimov be approached to join a group of “out of the box” thinkers on an ARPA-related project. Asimov participated briefly, and wrote the piece, ...Read MoreRead more
An aspiring writer recently asked if there was any value in doing short fiction, as a way to break into SF/F publishing. Versus merely penning novels and pitching them at the editors in New York.
Once upon a time, doing short fiction was the established path. From the 1920s through the early 1980s, almost everyone who was anyone came up through the magazines first: short stories, novelettes, novellas, and serialized ...Read MoreRead more
Sitting down to write this article was a debate between expressing an observation and my willingness to be metaphorically punched in the nose if I didn’t express myself well enough. This is because diversity is a hot topic and there are vocal opinions on both sides. There are two looming concepts that I’m looking at: “How do you make an anthology that actually sells?” and “Making sure that the anthology ...Read MoreRead more
On March 18, 2014, Lucius Shepard passed away. Since then a number of touching tributes have been penned, focusing on his life, personality and accomplishments. I thought it would be fitting for our Roundtable group to celebrate Shepard’s rich literary body of work. What are some of Shepard’s finest pieces, and why are they worth visiting and revisiting? Overlooked or out-of-print gems we should hunt down? Where should readers unfamiliar ...Read MoreRead more
In writing about a life as rich and varied as Ray Bradbury’s, a biographer quickly learns that not everything in the notepads or the interview tapes will make it into the final book. It was a difficult challenge for both Becoming Ray Bradbury (2011) and Ray Bradbury Unbound (2014), where I had to make decisions to condense and even eliminate some of the detail of an incredibly fascinating life. Many ...Read MoreRead more
At the 2014 Cannes film festival press conference, film-maker Quentin Tarantino talked about how he periodically puts “the state of film under a microscope.” Riffing off an e-mail exchange he describes, I’d like to pose the following forward-looking question to this group: Who are the ten currently working writers that most excite you today? To be more specific: these should be writers about whose every new work you feel genuinely ...Read MoreRead more