Gary K. Wolfe

Of Ants and Dinosaurs, Cixin Liu (Head of Zeus 978-1-789-54611-8, 256pp, £18.99, hc) April 2020.

Cixin Liu’s satirical novel Of Ants and Dinosaurs seems to have a complex history. A novella with this title was published in China in 2004, later appearing as a standalone book in 2012, translated by Holger Nahm. This was included in Liu’s 2013 collection The Wandering Earth published in Beijing – but not in ...Read More

Creatures of Charm and Hunger, Molly Tanzer (John Joseph Adams 978-0-358-06521-0, $16.99, 320pp, tp) April 2020.

When Molly Tanzer introduced her ”Diabolist’s Library” trilogy with Creatures of Will and Temper back in 2017, she combined the sharply insightful coming-of-age tale of two contrasting sisters finding their way in Victorian London with a cleverly gender-swapped version of Wilde’s The Picture of Dorian Gray. Then, with a skillful narrative ...Read More

The Order of the Pure Moon Reflected in Water, Zen Cho (Tor.com 978-1-250-26925-6, $19.99, 160pp, hc) June 2020. Cover by Sija Hong.

After decades of movies, games, manga, and TV, it might well be that contemporary audiences are more familiar with the conventions of wuxia than with the classic American Western – not that there isn’t a fair amount of overlap. The crucial opening scene of Zen Cho’s The ...Read More

Interlibrary Loan, Gene Wolfe (Tor 978-1-250-24236-5, $25.99, 308pp, hc) June 2020.

There was already something of a valedictory tone about Gene Wolfe’s 2015 novel A Borrowed Man, which portrayed a glum, diminished future in which authors survive as helpless ”reclones” who could be checked out of libraries like books (or cubes or disks) – but who could casually be incinerated if they aren’t checked out frequently enough. In ...Read More

By Force Alone, Lavie Tidhar (Head of Zeus 978-1838931278, £18.99, 516pp, hc) March 2020. (Tor 978-1-250-75345-8, $27.99, 416pp, hc) June 2020.

Sometimes while reading a Lavie Tidhar novel, there comes a point when you feel like he’s grabbed the wheel, grinning as he drives you aggressively into oncoming traffic and somehow pulls off moves that by all rights ought to be fatal. That’s never been more the case than ...Read More

Or What You Will, Jo Walton (Tor 978-1-250-30899-3, $26.99, 320pp, hc) July 2020.

It’s too bad that Marianne Moore’s imaginary garden with real toads has become such a fossilized cliché, because I thought of it several times while reading Jo Walton’s Or What You Will, which is an imaginary literary landscape with real books in it. Not only does Walton borrow characters and plot points from Shakespeare’s The ...Read More

Unbecoming, Lesley Wheeler (Aqueduct 978-1-61976-167-4, $18.00, 236pp, tp) May 2020.

Lesley Wheeler is an accomplished poet and a named professor at Washington and Lee, so it probably shouldn’t be a surprise that her first novel is peppered with striking language (“She was already a ghost of linen and warm air”; kids “flock and wheel”) and shrewd portraits of some familiar denizens of academia. Wheeler’s major previous venture into fantasy, ...Read More

Out of Body, Jeffrey Ford (Tor.com 978-1-250-25015, $14.99, 168pp, tp) May 2020.

Jeffrey Ford is consistently one of the most graceful writers we have, and when he decides to revisit some of the classic tropes of horror fiction – such as the haunted house in his recent The Twilight Pariah and “The Jew­eled Wren” – we can reliably expect a couple of things. For one, the clarity of the ...Read More

The Properties of Rooftop Air, Tim Powers (Subterranean 978-1-59606-974-9, $35.00, 80pp, hc) June 2020. Cover by David Palumbo.

There were plenty of evil clowns before Stephen King’s Pennywise basically photobombed the whole trope, and one of the most disturbing was Horrabin from Tim Powers’s The Anubis Gates, who would deliberately disfigure some of the beggars in his gang in order to make them appear more pitiful. Now Horrabin ...Read More

Vagabonds, Hao Jingfang (Saga 978-1-5344-2208-7, $27.99, 610pp, hc) April 2020.

Although I’ve used it myself often enough, I’ve always been vaguely suspicious of the term “literary science fiction,” or for that matter the sister terms “literary fantasy” and “lit­erary horror.” The implication, of course, is that, without that saving modifier, the reader might be faced with unfettered pulp adventures of the sort that gave these genres their unsavory reputations ...Read More

Comet Weather, Liz Williams (NewCon Press 978-1-912950-46-1, $15.99, 306pp, tp) March 2020.

Comet Weather, Liz Williams’s first novel in several years, is an absolutely lovely tale of an attractive if troubled family in contemporary Somerset and their increasingly hazardous interactions with the world of faerie. I suppose it falls into the broad tradition of what we might call English rural gothic, reaching all the way back through Diana ...Read More

Finna, Nino Cipri (Tor.com 978-1-250-24573-1, $14.99, 138pp, tp) February 2020.

I suppose the giant retail emporium has served as a portal into shadowy realms at least since John Col­lier’s “Evening Primrose” almost eighty years ago, but the deliberately labyrinthine layout of IKEA stores seems almost designed for creepy stories – something that Nino Cipri enthusiastically takes advantage of in their novella Finna, which is partly a testy workplace ...Read More

The Visual History of Science Fiction Fan­dom, Volume One: The 1930s, David Ritter & Daniel Ritter (First Fandom Experience 978-1-7332964-4-1, $150.00, 516pp, hc) Febru­ary 2020.

Fandom may be a billion-dollar industry these days, and the field of fandom studies has drawn enough scholarly attention that it even has its own academic journal, so old-time SF fans might be excused a degree of smugness while claiming – not unreason­ably – ...Read More

The Vanished Birds, Simon Jimenez (Del Rey 978-0-593-12898-5, $27.00, 394pp, hc) January 2020.

Simon Jimenez’s The Vanished Birds comes to us from Del Rey, with its long and distinguished SF/F history, but with a cover that pointedly eschews any suggestion of the space opera elements that are central to the novel’s action. The central character sees herself as something of a vagabond. Nia Imani is captain of a space ...Read More

War of the Maps, Paul McAuley (Gollancz 978-1473217348, £14.99, 432pp, hc) March 2020.

More than 20 years ago, Paul McAuley established his bona fides as a master of the ancient-far-future tradition of Vance and Wolfe with his Confluence series, set on an oddly shaped artificial world with a deep history that unfolded in fragments over the course of three volumes. With War of the Maps, he offers an ...Read More

The City We Became, N.K. Jemisin (Orbit 978-0-316-50984-8, $28.00, 448pp, hc) March 2020.

I have no idea whether N.K. Jemisin has read H.P. Lovecraft’s “The Horror at Red Hook”, which is in part Lovecraft’s half-hearted attempt to write a detective story and in part a racist having a panic attack in print, but it was the story that provided the template for Victor LaValle’s The Ballad of Black Tom ...Read More

The Water Dancer, Ta-Nehisi Coates (One World 978-0-399-59059-7, $28.00, 408pp, hc) September 2019.

I missed Ta-Nehisi Coates’s first novel The Water Dancer when it appeared last fall to generally glowing reviews, and it didn’t seem to garner much attention from fantasy readers in general, despite a key fantastic trope being central to its plot. Read­ing it now, after reviewing Rivers Solomon’s The Deep, it seems apparent that Coates’s ...Read More

Catfishing on CatNet, Naomi Kritzer (TorTeen 978-1-25016-508-4, $17.99, 304pp, hc) Novem­ber 2019.

Naomi Kritzer’s 2015 Hugo Award-winning story “Cat Pictures Please” may have been a bit thin on plot, but the appealing, ingenuous voice of its AI narrator left many readers hoping to hear more, while the very idea of a helpful, well-meaning AI (an idea which Kritzer credited to Bruce Sterling’s “Maneki Neko”) seemed like a welcome antidote ...Read More

The House of Sundering Flames, Aliette de Bodard (Gollancz 978-1-47322-340-0, £16.99, 560pp, tp) July 2019. (JABberwocky Literary Agency 978-1-625674-61-6, $16.00, 386pp, tp) September 2019.

I’m sure that someone, somewhere, has pointed out a possible relationship between fantasy trilo­gies and the structure of classical sonatas or symphonies, with the final movement recapitu­lating major themes while accelerating the pace and leading toward an aggressively dramatic climax, but Aliette de Bodard’s Dominion ...Read More