“No One Stays Good in This World”: A Review of Batman v Superman: Dawn of Justice

Since debuting in 1938, Superman has confronted many imposing adversaries, including Lex Luthor – a formidable foe whether characterized as an obsessed bald scientist or scheming corporate tycoon; the alien computer Brainiac; Terra-Man, armed with an endless array of ingenious weapons; several Kryptonian supervillains who survived the destruction of their planet in the Phantom Zone; and the ancient Kryptonian monster Doomsday, who once succeeded in killing the Man of Steel.

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A Working Model for Superhero Films: A Review of Wonder Woman

Without a doubt, Patty Jenkins’s Wonder Woman is the very best of the recent “DC Extended Universe” superhero films – yet the praise doesn’t mean as much as it should, inasmuch as its undistinguished precursors – Man of Steel (2013 – review here), Batman v Superman: Dawn of Justice (2016 – review here), and Suicide Squad (2016 – review here) – set the bar very low, to put it mildly.

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Dawn of Injustice: A Review of Suicide Squad

by Gary Westfahl

It is not a critical term that often comes to mind, but David Ayer’s Suicide Squad strikes me as a very meh kind of film – a hodgepodge of characters and moments that work, and characters and moments that don’t work, tossed together in a story line that sometimes makes sense and sometimes doesn’t. Further, the film cannot escape the perception that it is a stopgap measure,

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Robots and Nonsense: Arley Sorg and Josh Pearce Discuss Star Wars: The Rise of Skywalker

Tim Pratt, via Twitter: Two things they got a lot of in Star Wars is droids and shit that don’t make no sense.

Josh: I liked it more than The Force Awakens and The Last Jedi.

Arley: Me too!

Josh: Good! I recognize that The Last Jedi was trying to do a lot more, storywise. But when I rewatched it I was bored by a lot of parts, like ...Read More

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Six Characters in Search of an Auteur: A Review of Justice League, by Gary Westfahl

Much to my surprise, I actually enjoyed watching Justice League, which can be appreciated as unpretentious fun, featuring likable characters and some moments of genuine humor. To be sure, it is not an ideal film, but the concept of bringing together popular superheroes to battle against common foes is appealing enough to overcome the recurring infelicities that have marred almost all of the recent films in the DC Extended ...Read More

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The Sanitation Worker is a Hero in Your Neighborhood: Arley Sorg and Josh Pearce Discuss Samaritan

Today’s major-brand superheroes have an onscreen lineage going back at least to the ’40s, including iconic serials starring Superman, Batman, and Captain America. But Marvel and DC aren’t the only cinematic superhuman universes. During the great superhero revival of the 1980s, wedged between memorable Christopher Reeves films Superman and Superman II, came 1981 television series The Greatest American Hero. Standing alongside the tradition of filmmakers and TV showrunners ...Read More

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The Year in Review 2021 by Alvaro Zinos-Amaro

Last year in this space I mentioned the field’s ongoing engagement with older genre history, and while there are some titles of a similar ilk in this year’s crop, there are also, it seems to me, more studies of recent fiction and contemporary trends, as well as forward-looking surveys on a diversity of aesthetic spaces. Perhaps, given the current state of world affairs, this heightened attention on futurity is less ...Read More

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My Tapeworm Tells Me What to Do: Josh Pearce and Arley Sorg Discuss Venom: Let There Be Carnage

Reporter Eddie Brock (Tom Hardy) is washed up. Worse, he and his alien symbiote, Venom (also Tom Hardy), aren’t getting along too well. In classic serial killer movie fashion, incarcerated murderer Cletus Kasady (Woody Harrelson) declares that he’s willing to reveal where the bodies are buried but will only talk to Brock, who seizes the opportunity to try to get his career back on track. During one of their visits, ...Read More

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Clash of the Titans: Josh Pearce and Arley Sorg Discuss Godzilla vs. Kong

In our review of Godzilla: King of the Monsters, we said, “The weakness of this movie was the humans and the strengths were the monsters, and there were not enough monster moments.” Well. The movie studios listened. Godzilla vs. Kong centers the monsters more than ever, not only offering several fight scenes of decent length and in varying locales, but even developing a story arc for Kong: this monster ...Read More

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Ghostride the Whip: Arley Sorg and Josh Pearce Discuss Wonder Woman 1984

Some 70 years or so after the events of Wonder Woman, 1984 finds the titular hero (Gal Gadot) whiling away her time curating artifacts and impressing mortals with her beauty and charm. She seems to be keeping a low profile, at least until struggling entrepreneur Maxwell Lord (Pedro Pascal) acquires an ancient magical device and threatens to destroy the world in his quest for ultimate power. Wonder Woman must ...Read More

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Great Clown Pagliacci Is in Town Tonight: Arley Sorg and Josh Pearce Discuss Joker

Simply put, Joker is the story of Arthur Fleck (Joaquin Phoenix) and his transition from sadsack to supervillain.

Josh: Need we say more? Everyone already knows the gist of the Joker.

Arley: It’s important for people to know that this is not a Batman movie. You should not expect supervillain fights.

The film mostly delivers on what’s promised in the trailers: a one-man show about a violent clown. With striking ...Read More

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Hail Hydra! Josh Pearce and Arley Sorg Discuss Godzilla: King of the Monsters

Godzilla: King of the Monsters has a lot of things in it that will please Godzilla fans, and plenty that will piss them off. It is a sequel to 2014’s Godzilla, which was directed by Gareth Edwards, and picks up shortly after that movie’s destruction of San Francisco and Godzilla’s subsequent disappearance. Mark Russell (Kyle Chandler), who lost his son in the attack, wants Godzilla and all other “Titans” ...Read More

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Gary K. Wolfe Reviews Robots vs Fairies edited by Dominik Parisien & Navah Wolfe

Robots vs Fairies, Dominik Parisien & Navah Wolfe, eds. (Saga 978-1-4134-6236-5, $27.99, 384pp, hc) January 2018.

It certainly started long before Holly Black and Justine Larbalestier’s Zombies vs. Unicorns anthology a few years ago, and before the movie Batman vs. Superman turned a game kids had been playing for a half-century into gloomy sludge, and it probably even dates back before things like King Kong vs. Godzilla. But ...Read More

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1941 Retro Hugo Awards Winners

Winners of the 1941 Retro Hugo Awards, honoring work from 1940, were announced August 18, 2016 at a ceremony at MidAmericon II, the 74th World Science Fiction Convention, held at the Kansas City Convention Center in Kansas City MO, August 17-21, 2016.

The Retro Hugos are awarded 50, 75, or 100 years after a Worldcon in which the Hugos were not previously awarded.

Best Novel (352 nominating ballots)

  • Slan,
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Change to 1941 Retro Hugo Award Ballot

MidAmericon II announced a correction to the 1941 Retro Hugo Award finalists on June 19, 2016. Administrator Dave McCarty explains:

The finalist “Darker Than You Think” by Jack Williamson was mistakenly categorized as a novelette.  The story is a novella, but did not receive enough nominations to be a finalist as a novella.  It has been marked as not eligible.  The novelette “Vault of the Beast” by A.E. Van Vogt ...Read More

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1941 Retro Hugo Awards Ballot

Finalists for the 1941 Retro Hugo Awards, honoring work from 1940, have been announced by MidAmericon II, the 74th World Science Fiction Convention, to be held in Kansas City MO, August 17-21, 2016.

Best Novel (352 nominating ballots)

  • Kallocain, Karin Boye (Bonnier)
  • Gray Lensman, E.E. ‘‘Doc’’ Smith (Astounding Science-Fiction 1/40)
  • Slan, A.E. Van Vogt (Astounding Science-Fiction 12/40)
  • The IllMade Knight, T.H. White (Collins)
  • The
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2015 Chesley Awards Winners

Winners for the 2015 Chesley Awards, given by the Association of Science Fiction & Fantasy Artists (ASFA), were announced during Sasquan, the 73rd World Science Fiction Convention, held in Spokane, Washington, August 20, 2015:

Best Cover Illustration – Hardback Book

  • Julie Dillon, for Shadows Beneath: The Writing Excuses Anthology, Brandon Sanderson, ed. (Dragonsteel)
  • Jon Foster, for Zombie Baseball Beatdown, Paolo Bacigalupi (Subterranean)
  • Todd Lockwood, for The Tropic of
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2015 Chesley Awards Finalists

Finalists for the 2015 Chesley Awards, given by the Association of Science Fiction & Fantasy Artists (ASFA), were announced:

Best Cover Illustration – Hardback Book

  • Julie Dillon, for Shadows Beneath: The Writing Excuses Anthology, Brandon Sanderson, ed. (Dragonsteel)
  • Jon Foster, for Zombie Baseball Beatdown, Paolo Bacigalupi (Subterranean)
  • Todd Lockwood, for The Tropic of Serpents, Marie Brennan (Tor)
  • John Picacio, for Endymion, Dan Simmons (Subterranean)
  • Michael Whelan,
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Russell Letson reviews Jack McDevitt

Coming Home, the latest entry in Jack McDevitt’s long-running series on the adventures of antiquities dealer Alex Benedict and his pilot Chase Kolpath, also runs parallel plot threads: the search for a possible cache of very early space-age artifacts, and the attempts to rescue the passengers and crew of a starship caught in an anomalous hyperspace glitch. This latter thread connects directly to one of the series’ previous volumes,

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Roundtable on Geek Culture

Karen Burnham

Karen Joy Fowler points out this clip from a recent, controversial Andrew O’Hehir review of the Avengers:

At what point is the triumph of comic-book culture sufficient? Those one-time comic-book pariahs are now the dominant force in pop-culture entertainment, and their works are deemed to be not just big but also relevant and important…. It’s a neat little postmodern trick, actually, to simultaneously position this movie as ...Read More

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Claude Lalumière & Camille Alexa review Chronicle

Claude Lalumière: At first, Chronicle appears to be nothing special, yet another entry in the teen POV-cam subset of fantasy cinema, made especially popular with The Blair Witch Project and Cloverfield. The first act introduces the main characters: a nerdy boy (Andrew, played by Dane DeHaan) with an abusive, alcoholic father (played by Michael Kelly); his ordinary-Joe cousin (Matt, played by Alex Russell); and their uber-cool friend (Steve,

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Roundtable: Summer Movies

Karen Burnham

I recently tossed out the following topic to the Roundtable discussion group: The summer blockbuster movie season is upon us, and as usual various forms of genre film are dominating the screens. This year the offerings range from comic book movies (Thor), sequels to sequels (Pirates of the Carribean 4), kids films (Cars 2), and new outings from big-name directors (Super ...Read More

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Lantern Wilder: A Review of Green Lantern

by Gary Westfahl

The modern comic book character of Green Lantern, originally Hal Jordan, has lasted for over half a century. He was born from the ashes of a Golden Age superhero who combined awesome powers with a senseless origin story and a disheartening propensity for spending his time in the company of an idiot wielding a wrench. Created to protect his sector of the galaxy from cosmic menaces, he

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