This is one of the panels I recorded at the most recent ICFA conference. The participants (in order of appearance) were Jim Casey, Sharon Emmerichs, Kevin Crawford, Neil Gaiman, and Conor McCreery. How do you adapt Shakespeare? Is there any such thing as a single true, definitive “Shakespeare”? How do the plays adapt into different media, different costumes, different generations? A very thoughtful discussion on the malleable Bard.
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