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Notable new SF, Fantasy, and Horror books seen : November 2004 Week #3
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Chabon, Michael :
The Final Solution
(HarperCollins/Fourth Estate 0-06-076340-X, $16.95, 131pp, hardcover, November 2004, jacket design Jay Ryan & Jason Harvey)
Associational short novel about Sherlock Holmes. It was published in slightly different form last year in The Paris Review (No. 166).
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Chabon, Michael, ed. :
McSweeney's Enchanted Chamber of Astonishing Stories
(Vintage 1-4000-7874-1, $13.95, 15+328pp, trade paperback, November 2004, cover illustration Lawrence Sterne Stevens)
Anthology of 15 original genre stories by writers known, mostly, as literary (non-genre) writers. It's a follow-up to the editor's similar anthology, McSweeney's Mammoth Treasury of Thrilling Tales (2003). Authors this time include Margaret Atwood, Daniel Handler [Lemony Snicket], Steve Erickson, China Mieville, David Mitchell, Peter Straub, Joyce Carol Oates, Stephen King, and Jonathan Lethem.
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Clark, G. O. :
Bone Sprockets
(Dark Regions Press 1-888993-45-6, $6.95, 39pp, chap, 2004, cover art Frank Wu)
Collection of 30 poems, some previously published in Asimov's, Star*Line, Strange Horizons, etc.
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Donnelly, Marcos :
Letters from the Flesh
(Canada: Robert J. Sawyer Books 0-88995-302-3, $19.95, 191pp, hardcover, May 2004, cover illustration Sam Weber)
SF novel consisting of alternating sets of letters, one composed by an extraterrestrial living on Earth at the time of Christ, the other by a modern day microbiologist. The book's structure and themes parallel those of C.S. Lewis' theological fantasy The Screwtape Letters, according to the Booklist review reproduced on the Amazon page.
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Fenner, Cathy, & Arnie Fenner, eds. :
Spectrum 11: The Best in Contemporary Fantastic Art
(Underwood Books 1-887424-82-2, $29, 208pp, trade paperback, October 2004, cover painting Eric Joyner)
Eleventh annual yearbook of fantasy art, with reproductions of over 400 works by over 250 artists, chosen by jury and announcing Gold and Silver Awards in various categories (Advertising, Book, Comics, etc.) as well as a Grand Master Award -- this year to Michael Whelan. Arnie Fenner's introduction covers "The Year in Review". There's also an artist index with contact information for each artist.
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Lethem, Jonathan :
Men and Cartoons
(Doubleday 0-385-51216-3, $19.95, 160pp, hardcover, December 2004)
Slender collection of 9 stories, including two or three of genre interest: "Access Fantasy", from Patrick Nielsen Hayden's anthology Starlight 2 (1998); "The Dystopianist, Thinking of His Rival, Is Interrupted by a Knock on the Door" from the Peter Straub-edited issue of Conjunctions (2002); and "Super Goat Man", published earlier this year in The New Yorker.
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Lindskold, Jane :
Wolf Captured
(Tor 0-765-30936-X, $27.95, 527pp, hardcover, November 2004, jacket art Julie Bell)
Fantasy novel, fourth in the "Firekeeper" series following Through Wolf's Eyes (2001), Wolf's Head, Wolf's Heart (2002), and The Dragon of Despair (2003), about a human girl raised by wolves thrust back into human society. Includes a glossary of characters.
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Marzulli, L. A. :
The Revealing: The Time Is Now
(Zondervan 0-310-24086-7, $12.99, 357pp, trade paperback, November 2004, cover illustration Peter Bollinger)
SF thriller, third in the "Nephilim" series following Nephilim and The Unholy Deception, in which events in the Middle East, UFOs, and various other current events are seen as fulfilling ancient prophecies -- the end-time Luciferian agenda.
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Robinson, Spider :
The Crazy Years: Reflections of a Science Fiction Original
(BenBella Books 1-932100-35-0, $14.95, 294pp, trade paperback, December 2004)
Collection of editorial essays, most first published in Canadian newspaper Globe and Mail from 1994 to 2004 (the paper discontinued his column this year), with an introduction by Lawrence Block.
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Stross, Charles :
The Family Trade
(Tor 0-765-30929-7, $24.95, 303pp, hardcover, December 2004, jacket art Paul Youll)
Fantasy novel by a writer best-known for cutting-edge SF, first volume of "The Merchant Princes", with two volumes to follow: The Hidden Family (due next June) and The Clan Corporate (2006?).
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Vance, Jack :
Lurulu
(Tor 0-312-86727-1, $22.95, 204pp, hardcover, December 2004, jacket art John Harris)
SF novel, long-awaited follow-up to the author's previous novel, Ports of Call (1998), and considerably shorter than any of the author's novels of the past two decades, about a wandering space freighter whose cargo handler Myron Tany searches for his 'lurulu', "which may best be translated as the achievement of your heart's desire" according to the Publishers Weekly review reproduced on the Amazon page.
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Opening lines: As a boy Myron Tany had immersed himself in the lore of space exploration. In his imagination he wandered the far places of the Gaean Reach, thrilling to the exploits of star-dusters and locators; of pirates and slavers; of the IPCC and its brave agents.Opening lines: A boy with a parrot on his shoulder was walking along the railway tracks. His gait was dreamy and he swung a daisy as he went. With each step the boy dragged his toes in the rail bed, as if measuring out his journey with careful ruled marks of his shoetops in the gravel. It was midsummer, and there was something about the black hair and pale face of the boy against the green unfurling flag of the downs beyond, the rolling white eye of the daisy, the knobby knees in their short pants, the self-important air of the handsome gray parrot with its savage red tail feather, that charmed the old man as he watched them go by. Charmed him, or aroused his sense -- a faculty at one time renowned throughout Europe -- of promising anomaly.Opening lines: Wolfgang Von Schverdt hurried up the last few steps of the Fuehrerbunke, the vast underground complex that Adolph Hitler had constructed for his protection, and had made his home for the last 105 days of his life. Pushing open a heavy steel door, he saw an overcast May sky, his first glimpse of daylight in over a week. Then he gasped in astonishment at the twisted steel, broken concrete, and rubble that surrounded him . . . all that was left of the Reichschancellery. The Allied bombing had been unrelenting, pounding Berlin day and night without letting up, until much of the city had been reduced to ashes. An ubiquitous layer of dust and smoke, combined with the smell of rotting corpses and seared flesh, created a living hell.Opening lines: In the house where she lives,
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