Gardner Dozois reviews Extrasolar by Nick Gevers, ed.

Extrasolar, Nick Gevers, ed. (PS Publishing) August 2017.

Locus Magazine, Science Fiction FantasyFor the last several years, I’ve proclaimed one book or another by Jonathan Strahan to be the Best Science Fiction Anthology of the Year, but this year Extrasolar, edited by Nick Gevers, may give Strahan a decent run for his money. Unlike many of Gevers’s past Postscripts an­thologies, which have tended toward slipstream and soft horror with only a smattering of SF, Extrasolar is all core SF, its writers taking us on a “tour of the stars in our galactic neighbor­hood,” drawing on knowledge about exotic stars and extrasolar planets derived from more than 20 years of observation by the Kepler telescope and other space telescopes, which paints a very different picture of what a solar system can be like than that gained by observing our own – and which has thrown new fuel on the fire of the debate about the Fermi Paradox. (Basically, if the universe is full of intelligent life and alien civilizations, where is everybody? Could it be that the Earth is the only planet where intelligent life has evolved and survived? – to date, anyway.) You’ll find arguments on either side here, as well as some ingenious compromises; like any good theme anthology, some of the stories here stretch the margins of the theme, and some quite a bit, but for the most part Extrasolar delivers just what it says it’s going to deliver.

The best story here is probably “Canoe” by Nancy Kress, in which the crew of an exploratory starship undertakes the largest-scale rescue mission in history. Alastair Reynolds‘s “Holdfast” shows us two soldiers, one human, one alien, the sole survivors of their respective fleets of warships, still locked in mortal combat even as certain death races to overtake them. The story is grim, but does offer before the end a glimmer of a certain kind of hope. Kathleen Ann Goonan‘s long, complex, and some­what mystical “The Tale of the Alcubierre Horse“, starts with a group of supergenius children stealing a luxury spaceship, more or less an ocean liner that travels space, and taking it on a voyage of both inner and outer discovery that leaves them transformed in ways they couldn’t have anticipated. Jack McDevitt tells an affecting story of star-crossed love with an O. Henry twist in “Arcturean Nocturne“. In “Shad­ows of Eternity“, Gregory Benford shows us an apprentice Librarian searching through hundreds of years of SETI messages from alien civilizations, who makes an ominous discovery

There are three stories here set in already-established series universes, which may fit a bit uneasily into the theme, since in these series the universe is already known to be swarming with alien civilizations and little or no exploration of unknown new solar-systems is done: “The Residue of Fire” by Robert Reed is another story set in his long-running Great Ship series, one of the best in a while, as an immortal being investigates a race of passengers aboard the Ship for whom time doesn’t exist, and has a showdown with a nemesis from millions of years in his past; “A Game of Three Generals” by Aliette de Bodard, another in her long sequence of Xuya stories, deals with a political prisoner who is forced by circumstances to remain imprisoned long after her sentence is over, and tells of her bittersweet reunion with her “daughter,” a living spaceship; and in “Thunder­stone“, Matthew Hughes contributes an adventure of hardboiled “confidential operative” Erm Kaslo in the heavily Jack Vance-inspired Ten Thousand Worlds, just as the universe is making one of its periodic switches from rationalism to magic.

Extrasolar also features good work by Paul Di Filippo, Terry Dowling, Ian Watson, Lavie Tidhar, and Ian R. MacLeod. Surprisingly, since I’m usually enthusiastic about his fiction, the only story here that didn’t really work for me was Paul McAuley‘s “Life Signs“. Perhaps what he was doing here was too subtle for me to grasp, but to me it seemed like the story ended just when it had set up an inter­esting character in an interesting and potentially dangerous situation. I actually turned the next page, looking in vain for the rest of the story. I’m sure McAuley felt he’d put enough words on the page to convey the meaning of the story, whatever it was supposed to be, but it went over my head, and I’m left with no idea what the story is supposed to convey. Of course, I’m not the sharpest tool in the shed, so your mileage may vary.

Gardner Dozois was the editor of Asimov’s Science Fiction magazine for almost twenty years, and also edits the annual anthology series The Year’s Best Science Fiction, which has won the Locus Award for Best Anthology more than any other anthology series in history, and which is now up to its Thirty-Fourth Annual Collection. He’s won the Hugo Award fifteen times as the year’s Best Editor, won the Locus Award thirty-one times, including an unprecedented sixteen times in a row as Best Editor, and has won the Nebula Award twice, as well as a Sidewise Award, for his own short fiction, which has been most recently collected in When the Great Days Come. He is the author or editor of more than a hundred books, including a novel written in collaboration with George R.R. Martin and Daniel Abraham, Hunter’s Run, and, in addition to many solo anthologies, the anthologies, Songs of the Dying Earth, Warriors, Dangerous Women, and Rogues, all co-edited with George R.R. Martin, the last two of which were New York Times bestsellers. Coming up is a major solo fantasy anthology, The Book of Swords. He has been inducted into the Science Fiction Hall of Fame, and won the Skylark Award for Lifetime Achievement in Science Fiction. Born in Salem, Massachusetts, he now lives in Philadelphia, Pennsylvania.

This review and more like it in the September 2017 issue of Locus.

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